Recently I heard about the unpleasant fact: it turns out, the bodies were buried people are put at the present time is very slow due to the fact that in life, they consume food with synthetic impurities. We will not be able to avoid this, because the processes that occur in society and make it impossible to trust to the sellers and producers. And the politicians, bureaucrats as well. And the producers of cultural products. To neighbors, and, worst of all – to itself. If you would like to know more then you should visit Eva Andersson-Dubin. Credibility both products have their own opinions, ideas, moral totems and moral taboos. Intellectual property, creativity in the consumer society are valued only when they have the cash equivalent.

Culture allocated a place somewhere after the professional events and weather. At least in the news. Undoubtedly, the world culture is now very degraded, especially the arts: music, practicing in painting, literature. And the more she degrades, the more asserting itself. After a total lack of trust, although the Cold War seemed to be over. When some of my interview threw a quote from Marcel Proust: “The book – a child of solitude and silence.” Maybe feared that the reader will be hard to understand it. And this little event has forced me to understand one simple thing: in a world where everything is permitted, allowed, not all. For example, the solitude and silence as a condition for creativity – the truth proven. The corpse of contemporary culture will rot for a long time, apparently, a long time, because when its existence it has consumed the food and created a synthetic genetic mutants who are afraid of loneliness and silence.

" – On three pages. Clearly, tezisno, in the form a brief synopsis. As the authors draw their common places of past and current statements of philosophers and political scientists, have them stop. Stereotype of the Soviet Union – the empire ", but the Russian empire, and in the subtext – Imperia Evil, "" totalitarianism "," autocracy "and the like – now owns all the political scientists and cultural studies. You see, with the fall of the Byzantine Empire in the xv century, the dream of monks: "Moscow – the Third Rome, became an imperial ideology of the Russian state.

"This imperial ideology has played a large role in Russian history. She inspired the aggressive aspirations of Russian tsarist. Under its influence all the forces had been spent on acquisition, protection and development of the vast territories and the ensuring economic progress, and to cultural development of their people have no choice. " You see, what Russia! Meanwhile, the Russian state was originally developed as any other European country, in the first all Spain, Portugal, France, Britain, Denmark, Germany – with the same imperial ambitions and messianic dreams of individual kings. "The integrity of the vast country has rested on a centralized autocratic government, and not on the unity of culture. This determined the importance of statehood in the history of power and little attention to the development of culture. " Such is the history of European countries in different historical periods. However, the criticism sounds only against Russia. "On the basis of imperial ideology emerged messianic consciousness – the idea of this from God's great mission of Russia in the history of mankind.

Tambourine plays a major role in shamanic ceremonies. Its symbolism is complex and magical functions are diverse. It is necessary for the implementation of the session because he carries the shaman in "The middle of the World ', allows him to fly in space, and encourages the 'charms' spirits, and, finally, because the hum drum allows the shaman to focus and re-establish contacts with the spiritual world, the journey on which he is preparing. As we remember, some initiation dreams of future shamans include the mystical journey to the 'Mid-World', to the place of the Cosmic Tree and the Lord of the Universe. One of the branches of this tree is the Lord allows to fall to the shaman made her rim of a tambourine. The value of this symbolism, in our opinion, clearly comes from the complex, in which she (symbols) are included: the link between heaven and earth under the mediation of the World Tree, ie through the axis, which is located in 'Center World '. Precisely because of its hoop drum made of wood of the Cosmic Tree, the shaman, beating a tambourine, magically transported to that Tree, he moved to the 'Middle of the World' and, simultaneously, can ascend to heaven. Viewed from this perspective, the tambourine can be identified with the shaman tree, the steps which the shaman symbolically ascends to heaven. Climbing on the birch or banging a tambourine, a shaman is approaching the World Tree, and then successfully it climbs. In the Siberian shamans have as their personal trees, which are nothing more than a prototype of the Cosmic Tree, and some also use the 'upside-down trees', that is set back up, which is known to be among the most archaic symbols of the World Tree.